Combining Texts

All the ideas for 'Matter and Memory', 'Art' and 'Epistemic Injustice'

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28 ideas

7. Existence / A. Nature of Existence / 3. Being / c. Becoming
21846 Bergson was a rallying point, because he emphasised becomings and multiplicities [Bergson, by Deleuze]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
23551 It is necessary for a belief that it be held for a length of time [Fricker,M]
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
21854 Bergson showed that memory is not after the event, but coexists with it [Bergson, by Deleuze]
13. Knowledge Criteria / B. Internal Justification / 1. Epistemic virtues
23558 Offering knowledge needs accuracy and sincerity; receiving it needs testimonial justice [Fricker,M]
13. Knowledge Criteria / C. External Justification / 7. Testimony
23553 Testimonial judgement is not logical, but produces reasons and motivations [Fricker,M]
23550 Burge says we are normally a priori entitled to believe testimony [Fricker,M]
23552 We assess testimonial probabilities by the speaker, the listener, the facts, and the circumstances [Fricker,M]
23555 Assessing credibility involves the impact of both the speaker's and the listener's social identity [Fricker,M]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
23554 Judgements can be unreflective and non-inferential, yet rational, by being sensitive to experience [Fricker,M]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / g. Moral responsibility
23557 To judge agents in remote times and cultures we need a moral resentment weaker than blame [Fricker,M]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]